Fabodjantan - Come Blow The Horn - 1978 - Swe -... =link= < DIRECT × CHEAT SHEET >
The film premiered in Orsa in September 1978, followed by a release at the Fenix theater in Stockholm on September 25, 1978. Director: Joseph W. Sarno. Starring: Marie Bergman and Knud Jörgensen.
One of the standout tracks on the album is the title song, "Come Blow The Horn," which features a catchy, sing-along melody and lyrics that celebrate the joy of music-making. Another highlight is "Visa från Österlen," a beautiful instrumental piece that showcases the band's skillful arrangements and musicianship.
The history of the film's production is often discussed in Swedish media, including documentaries by Sveriges Radio. When the crew arrived in the village of Skattungbyn in 1978, the production was reportedly presented to the local community as a cultural heritage project or a historical film. The discrepancy between the production's actual content and its supposed historical nature has since become a well-known anecdote in the history of Swedish exploitation cinema. 4. The Aesthetic of the Era
Fabodjantan Title: Come Blow The Horn Year: 1978 Country: Sweden Label: [Unknown — add if known] Genre: Funk / Jazz-Rock / Rare Groove Fabodjantan - Come Blow The Horn - 1978 - Swe -...
: Following production, the film was first screened locally in Orsa in September 1978 before making its grand theatrical debut at the Fenix pornographic theater in Stockholm on September 25, 1978. 📖 Plot and Mythological Themes
The film is often cited for its distinct "camp" quality, resulting from its use of non-professional actors, stylized dialogue, and the specific aesthetic of 1970s low-budget filmmaking. For many viewers and film historians, these elements contribute to an unintentional comedic value that has helped the film endure as a cult classic long after its initial theatrical run. Cultural Legacy and Cinematic Context
The film is set in the bucolic, rolling hills of rural Dalarna, Sweden. The narrative centers on a local legend surrounding an ancient Viking horn. According to the lore, when Viking warriors returned home from their voyages, they blew this unique horn. The specific acoustic vibrations of the instrument had an immediate biological effect on the village women, inducing a state of uncontrollable arousal and compelling them to rush to the beach to welcome their men. The film premiered in Orsa in September 1978,
The narrative begins when a young woman named Monika (played by Leena Hiltunen) discovers the ancient, legendary horn. Upon blowing into the instrument, the unique sound it produces has a transformative effect on the surrounding community. According to the film's folk-comedy logic, the horn's frequency triggers a wave of uninhibited behavior and romantic enthusiasm among the local villagers.
A Love Letter to Sweden: The production was a Swedish-American collaboration, produced by Sture Sjöstedt. In May 1978, Sarno brought his film crew to . To secure permission to film on the locals' historic farms, the crew told the villagers they were making a "culture film". Sarno was captivated by the authentic Swedish countryside, aiming to capture everything from its fences and goats to its beautiful landscapes.
"Fabodjantan – Come Blow The Horn" might be one such ghost – a title preserved only on a handwritten setlist, a radio station’s rejection slip, or a fan’s live tape labeled in faded pen. Starring: Marie Bergman and Knud Jörgensen
The story revolves around a local legend in a small Swedish village. According to the tale, Viking men returning from their travels would blow a specific ancient horn to signal their arrival. The sound of this horn supposedly possessed magical properties, causing the village women to become uncontrollably aroused and rush to the shore to meet their returning men.
"Come Blow The Horn" is Fabodjantan's second album, released in 1978. The album features a collection of traditional Swedish folk songs, instrumentals, and original compositions. The band's arrangements are characterized by lush vocal harmonies, intricate instrumental interplay, and a warm, earthy sound.
The film's premiere took place at the Fenix theater in Stockholm, and it quickly became a commercial success, eventually circulating widely in international markets under various titles. It is often analyzed by film historians for how it marketed Swedish culture and "nature-oriented" sensuality to a global audience. Musical and Atmosphere
