Va - Now That-s What I Call 12-- 80s -4cd- -202... Jun 2026
Disc three moves straight to the center of the dancefloor, focusing on high-energy rhythms, Eurobeat structures, and chart-topping pop.
: Includes extended versions of soundtrack favorites like "Ghostbusters" by Ray Parker Jr. and "(I've Had) The Time of My Life" by Bill Medley & Jennifer Warnes. Critical Reception
– Anchored by New Order’s "Blue Monday," often cited as the best-selling 12" single of all time, alongside synth staples like Visage’s "Fade to Grey".
This 4CD set honors that distinct era of physical music media by compiling official extended masters, many of which are notoriously difficult to find on standard digital streaming platforms or original CD pressings. Tracklist Highlights & Disc Breakdown VA - Now That-s What I Call 12-- 80s -4CD- -202...
During the 1980s, the 12-inch vinyl single evolved from a functional DJ promo tool into a dominant commercial art form. Unlike standard 7-inch radio edits, the physical real estate of a 12-inch disc allowed sound engineers to cut deeper, wider grooves. This engineering feat resulted in a massive dynamic range, harder-hitting basslines, and pristine treble clarity engineered specifically for club sound systems.
The Now That’s What I Call Music! franchise needs no introduction. For over four decades, the iconic series has been the benchmark for pop culture compilations. While the main numbered series marches forward, the label has consistently returned to the motherlode: .
Featuring a total of 47 tracks across four discs, the album includes extended remixes and 12-inch versions of iconic songs by legendary artists such as Duran Duran, ABC, Dead Or Alive, and Joy Division. It serves as a definitive collection for audiophiles and fans of 80s pop culture, highlighting the era's distinct production styles and the art of the extended remix. Disc three moves straight to the center of
This section frequently boasts Whitney Houston’s energetic How Will I Know (Dance Remix) , New Order’s timeless electronic anthem Blue Monday , and the explosive US remix of Tears for Fears' Shout . Disc 3: Hi-NRG, Funk, and Soul
The 12-inch vinyl single was the definitive canvas for 1980s producers. Artists moved beyond the constraints of three-minute radio edits to build immersive soundscapes for the dancefloor. The Evolution of the 12" Series
A: The core series consists of three main 4-CD volumes. Volume 1 (2021) focuses on the biggest 12" hits. Volume 2, "Extended" (2021), features deeper cuts and extended versions. Volume 3, "Remixed" (2022), centers on songs that were substantially reworked by remixers. NOW Music has also released year-specific sets like "Now 12" 80s: 1980" and "Now 12" 80s: 1983". Critical Reception – Anchored by New Order’s "Blue
: Released in early 2026 but part of the continuous rollout established in 2024, this set captures the sound of 1986's clubs and charts with 46 full-length 12” versions. It is available on the official NOW Music store . Series Overview and Highlights
If you want to know about other 80s music collections, I can tell you about: The series, which focuses on specific years. NOW 12" 80s: 1985 (Part One) , which focuses on 1985. The NOW That's What I Call 12" 80s: Remixed set. Which of these NOW That's What I Call 12" 80s: Extended - Amazon UK
Songs were no longer limited to the three-minute radio edit. Instead, they became sweeping sonic landscapes, often stretching over seven to ten minutes. The physical format honors this culture by gathering these lengthy masterpieces onto high-fidelity CDs. Key Releases in the 4-CD Series
VA - Now That's What I Call 12" 80s Year: 2023 Format: 4CD
However, the series is not without its faults. Critics have noted that the tracklist quality can be "a mixed bag," where some 12" versions add nothing new to the original recording while others, like Frankie Goes To Hollywood's "Two Tribes" remix, vastly improve upon it. Some collectors have also pointed out mastering issues, with occasional concerns about the "loudness war" (where audio dynamics are compressed to sound louder) making some high-pitched 80s synth elements sound "shrill" compared to the original analogue pressings. Despite these technical quibbles, the overall consensus remains that these sets are "excellent" for the casual listener and "essential" for the 80s music completist.
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